On The Tillingbourne, Near St Martha’s-on-the-Hill…
I wanted to believe
That his worn, grimy boots,
Given a cursory polish
With cloth and blacking and phlegm,
Had trudged this trodden way,
Cursing his weary day
Upon a pilgrimage to St Martha’s-on-the-Hill.
I wanted to grieve
For his lung-dusting trade,
Proven a dangerous game
With sulphur and charcoal and saltpetre;
Millstones dressed to coarsely grind,
Regressing his wry mind
At the foot of St Martha’s pilgrims’ hill.
I wanted to retrieve
Some understanding about his army existence,
Woven around a regimented life
With danger and fear and loss;
Gunpowder created amid tensions palpable,
Rendering his service culpable
On the slopes and the beauty of St Martha’s hill.
I wanted to weave,
Into this ancestral woodland
Haven, a milling link to me
With tributary and alder and burning;
Lives stressed by explosion fears,
Pondering upon death and weeping tears
During funeral processions to St Martha’s-on-the-Hill…
Pete Ray
My ancestor John Hedges was a gunpowder maker for the military at Chilworth and his family was linked to St Martha’s-on-the-Hill church.
I worked regularly at Hall Green's Sarehole Mill during my teaching years for the Schools Liaison Department of Birmingham Museums & Art Gallery.
I couldn’t believe that the link to a watermill on the Tillingbourne in Surrey could be so relevant to my life…
Alder trees were set alight to produce the charcoal, which was mixed by milling to saltpetre and
sulphur…
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