Two paintings by Arthur Hughes in Birmingham’s Art Gallery…
Amy and The Long Engagement…
I would stand
And glare.
I could not avoid the painting’s fascination.
The furtiveness, the secretiveness, the helplessness
And yet the acceptable companion of a dog
Forced this scene into a huddle,
With the gentleman seemingly unaware
Of the woman’s eager, pleading expression.
Amy’s name, carved into the bark of the tree,
Is now smothered by creeping ivy’s muddle,
Affording the depression of a long engagement,
Or indeed perhaps the fellow’s indignant procrastination…
I would stop
And stare.
I could not bear the lady’s anticipation.
The tenderness, the secretiveness, the happiness
And yet the incongruous absence of her man
Lent this scene quite a sadness,
With the woman indulgently aware
Of her betrothed’s scarred and binding expression.
Her name, scored into the bark of a tree
Is quite fresh, in keeping with romance’s madness,
Suggesting the impression of a short engagement
And indeed perhaps the fellow’s insincere association…
Pete Ray
16th January 2024…
These two paintings hanging in Birmingham’s Art Gallery affected me a lot when having to talk to pupils about some of the work on display.
I had no academic art background at all and so I would try to draw attention to unusual things in some of the pictures on display and try to encourage the children to make comments about what they thought might be happening…
The above verses are just some thoughts of mine about two Arthur Hughes offerings: ‘Amy’ and ‘The Long Engagement’.
Ivy had grown over the carved name of Amy on the tree-trunk and I wondered about the man procrastinating, leaving Amy hanging on…
Was he already married perhaps, or betrothed to another?
Or was he a scoundrel?
All conjecture of course…
It was apparently fine to walk in woods with a lady if there was a chaperon, or a dog present…
I never liked the chap’s countenance however and so I have always considered him a bounder, or a villain…
She looked too nice for him anyway…
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